Starring: Beat Takeshi
From the title of the film you might be expecting plenty of beat downs accompanied by buckets of gore; bloodshed akin to the kind found in recent Asian exports such as The Raid and it's sequel. However, Kitano gives us a much more understated violence, although no less disturbing.
From the beginning, Beat Takeshi's detective, Azuma, is an angry man. We first meet him as he enters the house of a teenager who has just set upon an old man. Azuma 'convinces' the boy to turn himself in with the help of some vicious slaps and a head butt. This might not be by the book policing but it's less brutal than the title suggests.
We are then introduced to Kikuchi (played by Makoto Ashikawa, a regular in Takeshi Kitano's films), as a rookie who is very much the anti-Azuma; his overly smiley nature a direct contrast to his partner's permanent scowl. This is not the Japanese Riggs and Murtaugh; Azuma treats his colleague with little respect, unless there's money involved.
There are very few action scenes, the one stand out moment is a chase to catch a drug dealer. The sequence starts with a fight between detective and suspect that is slowed down to a brutal ballet, accompanied by a loud jazz number. The whole section doesn't seem in keeping with the rest of the movie. But that's Takeshi's style; to give us something a little different (the dance sequence at the end of 'Zatoichi' is a prime example).
Apart from the main antagonist, Kiyohiro, a man very quickly established as a sadistic killer, the rest of the cast are purely for background. Even Azuma's sister is a trivial part; all we are ever told is that she has "something wrong with her head". There is no relationship between the siblings for the audience to care about. This is also true for the friendship between Azuma and fellow detective, Iwaki. We only see these two interact once but are expected to believe that they are best friends. These two players are supposed to be the catalyst that push Azuma from Angry cop to the titular Violent one but it's not all that convincing. Thank goodness for the charm of Beat Takeshi; he makes us believe his actions are justified.
(SPOILERS IF YOU'RE NOT A TAKESHI KITANO FAN)
As with all his films, there is no happy ending; if John Woo likes slow-motion and Tim Burton likes Gothic then it can be said that Takeshi likes death. The final half hour gives the audience a peek at what the title refers to; not what Azuma was but who he has become. It is this part of the film that will be most satisfying to the more blood thirsty viewer.